
Echoes from the Past
Two centuries, one soul, and a love that defies the boundaries of time
by Christine Baust
Khloe Campbell has always been a woman out of sync. While the modern world moves at a frantic pace, her heart beats to the rhythm of the 1800s. Haunted by vivid memories of a South Carolina plantation and the smoke of the Civil War, Khloe feels like a ghost in her own life. Following a devastating divorce, she is drawn to a small South Carolina town where the past isn't just a memory—it's manifesting. When Khloe begins 'phasing' through time, she meets Zeb Sterling, a rugged contractor who restores old homes and seems to recognize the ancient weight in her eyes. But as their connection deepens, a ruthless developer threatens to destroy the historic site that holds the key to Khloe’s past-life secrets. Guided by the mysterious Keeper of the Threshold, Khloe discovers she is the center of a temporal rift. With a rival time-traveler closing in and the veil between centuries thinning, she must choose between the independence she fought to regain in the present and a dangerous legacy of justice in the past. In this sweeping tale of healing and rebellion, Khloe must decide if home is a coordinate in time or the person who stands beside her through the ages.
- Romance
- Fantasy
- Mystery
- Adventure
- Portal Fantasy
- Small Town Romance
The Ghost in the Mirror
The woman in the mirror was a stranger.
Khloe stood in the narrow bedroom of the rented cottage, studying the face looking back at her the way she might study a photograph of someone she had once known. The red hair was the same, wavy and escaping its ponytail in the same familiar places. The freckles were the same, scattered across the bridge of her nose like a handful of pale seeds. But the eyes — those deep blue eyes — were fixed on something the mirror could not show, focused on a distance that had nothing to do with the white-washed wall behind her.
She had driven twenty-three hours to get here. Beaufort, South Carolina, the low country, a small town whose name she had written on a notepad three years ago after waking from a dream so vivid she could taste the woodsmoke on her tongue. She had not been able to explain the pull then, and she could not explain it now. Her therapist called it displacement. Her sister called it a breakdown. Khloe called it coming home, though she had never once set foot in this town.
She pressed her palm flat against the mirror glass. The cool surface did nothing to steady her.
The Beaumont estate was a twenty-minute drive from the cottage, down a road that the locals seemed reluctant to name. She had found it on an old county map she bought from a gas station, the kind printed on paper that crinkled and smelled faintly of age. The moment she saw the name written in faded ink — Beaumont — something behind her sternum had pulled tight like a drawn bowstring.
She drove out before noon.
The estate sat at the end of a long dirt drive, flanked by live oaks so old their branches formed a canopy that blocked out the sky. Spanish moss hung in gray curtains. The main house had burned — she could see that much immediately — and what remained was a skeleton of blackened stone and collapsed timber, wrapped in kudzu so thick it looked deliberate. A low iron gate, half-swallowed by the earth, marked the original entrance. One hinge still held. The other had long since surrendered.
Khloe got out of the car and stood in the heat, listening. Somewhere in the trees, a mockingbird was running through its catalogue of stolen songs. The air smelled of clay and something older, something green and slightly sweet. She walked toward the gate.
When her fingers found the charred iron post, the world tilted.
It lasted only a heartbeat, but it was enough. The ruined house disappeared and in its place stood a white plantation house, pristine and wide-porched, with rocking chairs visible in the shade and window boxes full of climbing roses. She smelled woodsmoke and jasmine, sharp and real. She heard a woman's laughter from somewhere inside, distant and bright. Then the heat came back. The kudzu came back. The ruin stood before her exactly as it had, and Khloe's hand was shaking against the cold iron.
She stepped back and pressed her knuckles to her mouth. Her heart was slamming in her chest. She had experienced dreams like this, sensory and vivid and too layered to dismiss, but she had never experienced one while standing upright in the middle of the day with the sun on her neck.
"You look like you saw something worth seeing."
The voice was deep and unhurried, coming from the far side of the gate. A man stood there with a surveyor's notebook in one hand and a measuring tape clipped to his belt. He was broad-shouldered, somewhere in his mid-forties, with short gray hair and eyes the color of a clear September sky. His hands were calloused. His expression was not unkind.
"I am not entirely certain what I saw," Khloe said. Her voice came out steadier than she expected.
He watched her for a moment without speaking, which she appreciated. Most people rushed to fill silence. He let it sit.
"Zeb Sterling," he said, extending his hand over the gate. "I'm doing a restoration survey for the county. You know this property?"
"I know it from somewhere," she said, and shook his hand. "Khloe Campbell. I arrived in town yesterday."
"And the first place you came was here."
It was not a question. She noticed that. His sapphire eyes moved to her hands, and she realized she was still trembling faintly. She pressed her fingers against her thigh and looked past him at the rubble.
"The soil feels like a wounded friend," she said. The phrasing surprised her even as she said it. It was not the kind of thing she normally said out loud.
Something shifted in Zeb's expression. Not surprise, exactly. More like recognition of a thing he had been half-expecting. He looked down at the earth beneath his boots, then back at her.
"The land has a memory," he said quietly. "Most people can't feel it. Some people can't stop feeling it."
He held her gaze a moment longer, and then he went back to his measurements. But she noticed that he stayed close to the gate, and she noticed the handle of a small knife at his hip — a handmade thing, the hilt wrapped in dark leather, worn smooth from years of use. She had seen that knife before. She was sure of it. The certainty sat in her chest like a stone.
She stayed another hour, walking the perimeter of the estate while Zeb worked in a companionable quiet. She did not touch the gate again.
That night, the dream came fast and deep.
She saw a room lit by two candles, the light barely reaching the walls. A long table. Seated around it, five men and two women, their faces turned toward a book held open by a pair of gentle hands. The hands belonged to a man whose face she knew without being able to name — her father, she understood, in the way you understand things in dreams, without evidence or logic. He was reading aloud in a low, careful voice, tracing each word with his finger so the others could follow. One of the women was copying letters onto a slate. Outside, the night was silent in the deliberate way of a place where everyone knew how to keep a secret.
Khloe woke at three in the morning with the smell of old parchment on her skin and a feeling in her chest that was not quite grief and not quite joy but something older than either.
She lay still for a long moment, staring at the ceiling. Then she sat up and reached for the notepad on the nightstand.
She had seen a demolition notice posted on the estate fence that afternoon, half-obscured by a realtor's placard. The permit date was two weeks out.
Two weeks.
She wrote the date down, circled it twice, and did not go back to sleep.
The Keeper of the Threshold
Trevor Beaumont did not knock when he found her. Khloe had been sitting on the porch steps of the cottage for twenty minutes, a glass of cold tea in her hands, watching the live oaks at the end of the drive when the truck rolled up. It was an old Chevy, dark green with rust at the wheel wells, and the man who stepped out of it moved the way the lan…