
My Trip
From imperial Austrian courts to the American prairie: one man's resilient pursuit of the New World
by Inger Johnson
In 1849, Victor von Goetz was born into the rigid splendor of the Austrian Empire, the son of a Napoleonic war hero. But the weight of tradition could not hold him. After clashing with the iron-fisted authority of a monastery school, Victor traded prayer books for grease and gears, apprenticing as a machinist in a world on the brink of change. Everything changed in a single, violent moment in Vienna. Forced to flee his homeland to save his brother’s reputation, Victor arrived in New York in 1872 with nothing but five dollars and his skills. From the brutal railroad shops of Pennsylvania to the unforgiving winds of the Nebraska prairie, his journey is one of survival, reinvention, and the relentless search for a place to call home. My Trip is a sweeping historical narrative that follows Victor as he navigates the Panic of 1893, the loss of family, and the challenges of immigrant life to become a pioneering photographer and civic leader. It is a profound exploration of what we carry across oceans and what we leave behind in the soil of a new land. Experience an epic transformation from an imperial exile to the heart of the American West.
- Non-Fiction
- Historical Fiction
- Memoir
- Biography
- History
The Weight of the Bronze Cross
The summer Victor was born, the hills above Eichsburg were the color of old copper, baked dry by an August that refused to relent. His mother, Fanni, would tell him this years later, not as complaint but as simple fact, the way she told all her stories. The land remembered what people forgot.
He was the youngest of ten children, born into a household that ran on discipline and routine the way a clock runs on its springs. The von Goetz estate sat at the edge of the district, a solid, well-ordered house with thick walls and small windows that kept the summer heat at bay. His father, Matthias, had built his life on precision. Forty-two years of roads and bridges for the empire, and before that, the campaigns. Always the campaigns.
The bronze cross hung on the wall of his father's study, set against a square of dark velvet inside a simple frame. Victor was five or six when he first asked about it. Matthias had looked at him for a long moment before answering, the way he looked at everything, with the patience of a man accustomed to measuring twice.
"Leipzig," his father said. "Eighteen thirteen. I was younger than Bruno is now."
He did not say more than that. He never did. But Victor had stood there staring at the cross until the lamplight shifted, turning the bronze almost gold. He understood, even then, that the cross was not a trophy. It was a weight his father carried in a different way than the limp he carried from the same campaign, the old injury in his leg that made his footsteps uneven on the stone floors each morning. One wound was visible. The other simply hung on the wall.
His mother's weights were different. Hers fit in the palm of a hand.
The three silver spoons lived in a cloth pouch at the bottom of her sewing chest. On winter evenings, when the fire burned low and the older children had gone to bed, Fanni would sometimes take them out and set them on the table. Victor would sit across from her, watching the candlelight move across the silver.
"Your grandmother carried these across the mountains," she told him one such evening, her voice low and unhurried. "From the north of Italy, when the French came through and there was nothing left to do but walk." She turned one spoon over in her fingers. "She could have left them. They were heavy, and she was tired, and the road was long. But she didn't."
Victor looked at the spoon. It was plain, without ornament, the kind of thing you could find in any kitchen. "Why not?" he asked.
His mother set it down carefully. "Because some things you carry to remind yourself that you survived. Your father has his loud stories," she said, a faint smile crossing her face. "These objects tell the ones that lasted."
He thought about that for a long time afterward. The difference between a story told aloud and one held quietly in the hand.
His brothers, Bruno and Rudolf, had no patience for such thinking. Bruno was already talking about the military academy, bright with certainty, his whole bearing arranged around the idea of service and rank and the honor of the family name. Rudolf was quieter but no less directed, already showing the watchful, organized temperament that would eventually carry him to Vienna and a captain's position. They moved through the world with a kind of confidence that came from knowing exactly where they were headed.
Victor did not share that certainty. He was drawn to different things.
Herr Leo was the old orderly who had served in the campaigns alongside his father and stayed on afterward, managing the household with a silence so complete it seemed almost structural, like part of the walls. He spoke careful, formal French and moved through the estate with the absolute economy of a man who had learned long ago never to waste a motion. Victor followed him everywhere.
He watched how Herr Leo oiled the hinges before they needed it, how he sharpened the tools in a particular order, how he assessed the condition of every mechanism around the property with a glance that missed nothing. There was no ceremony in it, no proclamation. Things were either working or they were not, and it was Herr Leo's quiet business to ensure they worked.
"Bon jour, Monsieur," the old man would say each morning, grave and precise, regardless of whether he was greeting the master or the youngest child. The same dignity, offered to each.
Victor found more instruction in that consistency than in any classroom he would later sit in.
His father noticed. One evening, as the last light faded over the hills, Matthias called the boy to the study and stood for a moment with his back to the door, looking out the window at nothing in particular.
"You understand that a name is not only a gift," he said, without turning. His voice was slow, deliberate. "It is a burden. Every man in this family has carried it forward by adding something to it. Your brothers will do this in their way." He paused. "You will have to find yours."
Victor stood very still. He was thinking about the bronze cross on the wall, and the silver spoons in their cloth pouch, and the sound of Herr Leo's careful footsteps in the corridor outside. All of it carrying something forward. All of it asking something in return.
He did not know yet what his answer would be. He was too young to know, and his father, to his credit, did not pretend otherwise. He simply turned from the window, looked at his youngest son with those measured, patient eyes, and nodded once, as though a question had been asked and the asking was enough for now.
The hills above Eichsburg were already turning toward autumn. Soon, they would send him away to school, to the monastery and its rigid hours and its certainties. Victor did not know what waited there. He knew only that the world was full of mechanisms he had not yet learned to read, and that he intended, one way or another, to read them.
The Silence of the Monastery
The monastery sat on a low hill outside of Brünn, its stone walls the color of old bone. Victor arrived in late September, when the mornings already carried a chill that the building's thick walls seemed to manufacture rather than merely admit. He was twelve years old, and he carried a small leather case and his father's expectations, both of which…