
Collateral Devotion
Hate was the first lie. Hunger was the second.
The order was simple: execute the prisoner and prove your loyalty. Alessio DeLuca has spent his life being groomed to inherit his father's syndicate. The final test is a public kill—Matteo Romano, the captured enforcer of a rival family. But Alessio does not pull the trigger. Instead, he diverts Matteo to an isolated safehouse with a single, dangerous objective: break him for the information that would let Alessio seize the city on his own terms. Matteo will not talk. He will not beg. He will not give Alessio the satisfaction of seeing him break, no matter how brutal the interrogations become. But forced proximity is a slow poison. As days stretch into weeks, hatred begins to feel like something else. Every session in that basement draws them closer to a line neither of them can uncross. Matteo's defiance becomes the thing Alessio craves most. Alessio's obsession becomes the only thing keeping Matteo alive. Outside the safehouse, their families are closing in. A dirty captain wants Alessio's seat. A vengeful matriarch wants her enforcer back—or his corpse. And the man who sold the first whisper of the capture cannot unsell it. When passion becomes treason and secrets become weapons, Alessio and Matteo must choose: destroy each other, or burn both empires to the ground. Collateral Devotion is a searing dark mafia romance about loyalty, obsession, and the moment hate becomes hunger.
- Romance
- Crime Fiction
- Thriller
- Dark Romance
- Mafia Romance
- Enemies to Lovers
One Body, One Lie
The docks still smelled like diesel and wet rope when Alessio DeLuca put his boot on Matteo Romano's ribs and kept it there. Sodium lamps threw a dirty yellow across the concrete, catching the blood on Matteo's mouth and the zip ties cutting into his wrists. Two of Lucia Santoro's men were already cooling in the water between the pilings. The third had run and taken a round in the back for it. The rest of the night belonged to the living.
Alessio was twenty-six and already tired of being sent to finish other men's lessons. Vittorio's text sat on his phone like a brand: execute, photograph, dump where Santoro's people would find it by dawn. A coming-of-age kill. A public one. The kind of proof that got you a seat at the table and a target on your spine.
Matteo looked up at him without begging. Whiskey-brown eyes, a broken-once nose, that vault of a mouth. Even on his knees he looked like the last man standing. Blood had dried in a dark line from his hairline to his jaw. The saints on his forearms were smeared with it.
"You don't get to die clean," Alessio said. His voice stayed low. "Not tonight."
Matteo didn't answer. His breath fogged once and stopped, as if even that was a concession he refused to make.
Nico Marchetti's van idled behind the warehouse with the lights off. Nico stood by the open side door with a shovel and a look that said he already knew this was going to be a problem. He had a cheap-good suit and restless hands and the particular loyalty of a man who had grown up in Alessio's shadow and never found a smarter place to stand.
"Slaughterhouse lot," Nico said. "Your father wants a picture. Then the river. We dump him where they can see him without us standing over the hole."
Alessio looked at Matteo again. The man would not beg. That was the whole problem. A corpse that proved you could follow orders was a corpse anyone could make. Maps were different. Names were different. Ledgers that could gut a rival family without sharing credit were the only inheritance worth stealing.
"We're not going to the slaughterhouse," Alessio said.
Nico's mouth opened and closed. "Listen. He said a body. He was specific. You fake this, he doesn't send a stern letter. He sends me to find you in pieces."
"Load him."
"Alessio."
"Load him, Nico. Van. Now."
They dragged Matteo across the warehouse floor. His boots left dark smears. He didn't fight like a man who expected rescue. He fought like a man who had already decided not to give anyone the satisfaction of watching him fold. Alessio hit him once in the side, hard enough to fold him into the van, and cuffed the zip ties to a cargo ring so he wouldn't try the door on the highway.
Nico slammed the side shut and leaned his forehead against the metal. "You want me to hide a whole enforcer like he's a parking ticket. Fine. But when this goes loud, I'm not dying for your feelings."
"It isn't feelings." Alessio thumbed the phone. He typed the lie with the same care he used on a knife: job done, body in the river, no witnesses. Send. The blue bubble sat there, obedient. "I want the city's maps. I don't want a corpse that proves I can take orders."
Nico started the van. "Your father does not forgive improvisation. You know that. You've watched him bury nicer sons."
"Then don't be nicer."
They drove inland. The north end thinned into warehouses, then empty lots, then a stretch of road with no cameras and no reason for anyone honest to be on it. Matteo made no sound in the back. Alessio sat twisted in the passenger seat, watching the man's profile in the dark glass of the partition. Green eyes dead when he worked. That was the story people told. Right now they were not dead. They were hungry in a way he did not intend to name.
The safehouse was brick, isolated, windows barred, a basement with a drain that had seen worse than this. Nico killed the engine and sat with both hands on the wheel.
"I wait out here," Nico said. "I don't go downstairs. I don't watch you play house with Santoro's favorite gun. If Basile smells this, I want to be able to say I never saw the man's face after the docks."
"You already saw it."
"Then I'm already dead. Congratulations."
They hauled Matteo down the stairs. The basement was cold enough to keep meat. A single bulb. A chair bolted to the floor. Alessio cut the zip ties and replaced them with steel cuffs through the chair's arms before Matteo could make a fist worth using. Blood had soaked through Matteo's shirt at the shoulder. The wound was a crease, ugly but not fatal. Alessio had aimed that way on purpose. A dead man could not talk. A dying one talked worse.
He crouched until they were level. Close enough to smell copper and river water and the last of whatever cologne Matteo had put on before the ambush. The thin gold chain at Alessio's throat swung forward and tapped his own collarbone.
"You don't get to die clean," he said again, quieter. "You talk, or you stay. Those are the only two doors in this house."
Matteo's mouth stayed shut. His eyes tracked Alessio's face like he was memorizing a threat. When he finally moved, it was only to spit blood on the concrete between Alessio's shoes.
Alessio smiled with no warmth in it. "Good. I was hoping you were stupid."
He stood. The knife scar along his left ribs pulled when he breathed too deep. He had been killing since eighteen. He had never once been allowed to want anything that was not useful. This man on the chair was useful if he broke. If he did not break, he was a problem Alessio had chosen on purpose, which was worse.
Nico hovered on the stairs. "Photo for the old man?"
"I already texted him a river."
"A text is not a body, Alessio."
"Then pray the river is deep."
Nico swore, fast and ugly, and went back up. The door at the top of the stairs closed. A bolt slid. Alessio was alone with the man he was supposed to have photographed dead by dawn.
He walked a slow circle. Matteo's tattoos were street maps and saints, the kind of ink that said loyalty was a religion and silence was how you survived promotion. Alessio had seen that type. He had put two of them in the ground last winter. They had talked at the end. Everyone talked at the end except the ones who made you want it more.
"Lucia will come looking," Alessio said. "She'd rather bury you than let you sit in my basement. That's a compliment, if you're the sentimental type."
Nothing.
"Captain Basile will come looking for a corpse that isn't there. He wants my seat more than he wants the truth. You and I are both in his way."
Nothing.
Alessio put two fingers under Matteo's chin and tipped his head up. The skin was hot. Fever starting, or rage. The mouth still would not open. Alessio's thumb smeared blood across Matteo's lower lip, a petty, unnecessary thing, and Matteo's jaw locked so hard a muscle jumped.
"You should have put a round in me on the docks," Alessio said. "You didn't. We'll get to why later."
He let go. Matteo's head stayed where Alessio had put it, as if even dropping his chin would be speech.
Upstairs, Nico's footsteps crossed the kitchen, then stopped. Phone probably. Nico always called someone when he was scared, then hung up before they answered. Alessio had told him a hundred times not to do that. Nico would do it anyway.
Alessio took the bulb's pull chain and held it. The basement would be black without it. A man in cuffs in the dark had fewer places to put his pride. He had used that before. It worked on the ones who were already halfway to talking. It would not work on this one. He pulled it anyway.
The dark came down hard. Matteo's breathing was the only human sound, slow, controlled, a man counting through pain because counting was something no one could take.
Alessio stood there longer than he needed to. He could still see the shape of him. Broad shoulders. Cropped hair. That refusal. The first stare on the docks had been a war. This one was the same war with the lights off.
He went up the stairs without another word. At the top he locked the door and leaned his forehead against the wood the way Nico had leaned on the van. His knuckles were already bruising from the docks. His father wanted proof. The city wanted a body. Alessio wanted the maps in that silent head, and he wanted, with a clarity that felt like treason, not to put a bullet through it.
Nico was at the table with a burned phone in pieces. "You left him in the dark."
"He doesn't speak in the light either."
"This is a death sentence. You know that. You lied to Vittorio. You kidnapped Santoro's chief. You dragged me into it because I can't say no to you, and I hate that more than I hate the shovel."
Alessio poured water, drank, didn't offer any. "If he talks, we take the city without sharing. If he doesn't, we still have a hostage while both families look at a river."
"And if they look here?"
"Then we were never as smart as we thought."
Nico laughed once, no humor. "I liked you better when you just shot people."
"I still shoot people. I'm being selective."
Outside, the brick house sat in a lot with no neighbors worth the name. Wind moved through the barred windows like it was checking the locks. Alessio took out his phone and read Vittorio's unanswered silence. No reply was worse than a threat. The old don spoke softly when he was certain. He went quiet when he was already deciding how to collect.
Alessio put the phone away. He washed Matteo's blood off his hands in the kitchen sink until the water ran clear. He did not look at his own face in the dark window. He already knew what he looked like when he was working. Magazine heir until you noticed the knuckles. Devil until you noticed he had kept a man alive on purpose.
Downstairs, Matteo Romano still had not spoken. Alessio turned off the kitchen light and stood in the dark of his own making, listening for a word that did not come, and for the first time since he was eighteen he was not sure which door in the house he wanted to walk through himself.
The House With One Drain
Morning in the north-end safehouse arrived without courtesy. Gray light leaked through the barred kitchen windows and stopped at the basement door as if it knew better than to go down. Alessio DeLuca stood at the table with a mug that had gone cold and listened to the house settle. Nico Marchetti came in through the side door with a paper sack, two…

