
Stolen Vows
In a world of blood and secrets, survival demands the ultimate sacrifice
by Scarlett Kade
She witnessed a murder. Now he owns her silence. Art conservator Sloane Matthews is used to uncovering hidden truths beneath layers of paint, but nothing prepares her for witnessing an execution in a private Chicago gallery. Escaping into the night with a coded ledger page that could bring down the city's criminal elite, she becomes the ultimate target. Enter Nicolo Moretti: ruthless mafia heir, brilliant strategist, and the only man capable of keeping her alive. His solution is cold, calculating, and non-negotiable—a forced marriage to bring Sloane under his absolute protection and control. Locked inside his gilded fortress, Sloane refuses to play the fragile captive. Utilizing her analytical mind to unravel a deadly syndicate conspiracy, she transforms from pawn to partner. As bullets fly and dangerous secrets bleed into the open, a searing, forbidden desire ignites between them. In a deadly game of betrayal and power, Sloane must decide if she can trust the lethal predator who put a ring on her finger—or if their stolen vows will seal her fate.
- Romance
- Crime Fiction
- Thriller
- Mafia Romance
- Dark Romance
- Organized Crime
A Flaw in the Canvas
The portrait was wrong before Sloane understood why.She stood two feet from the canvas, gloved hands folded behind her back the way she always kept them near unauthenticated work, and let her eyes move slowly from the crackled surface to the small brass label bolted beneath the frame. Nineteenth century, the label claimed. Continental school, private collection, unbroken chain of custody since acquisition. The varnish told a different story. The craquelure ran too fine and too even, the kind of aging pattern a good restorer could bake into new pigment with heat and patience, and the conservation stamp in the corner used a typeface that hadn't existed when the label said it had been printed."A flaw in the canvas," she murmured, more to herself than to the room.Daniel Voss stood at the wet bar a few feet away, decanting something amber into two glasses he had no intention of letting her finish. He was gaunt in his vintage three-piece suit, silver hair combed with more care than the moment warranted, and his fingers kept finding the pocket watch he never checked. Sloane had worked with careful men before. Voss was careful in the way of someone counting down to something."You're quiet, Ms. Matthews," he said. "That's never a good sign with you.""The provenance stamp is a reproduction. A good one. But it's dated to a typeface Adobe released eleven years after this label claims the piece was cataloged."Voss's hand paused on the decanter. Outside the tall gallery windows, rain slid down the glass in ropes, blurring the streetlights into long amber smears. A black sedan sat at the curb across the street, engine running, headlights off. It had been there when she arrived forty minutes ago. She had noted it then and filed it away, the way she filed away everything that didn't quite fit. The sedan hadn't moved since."Provenance isn't just about history, my dear," Voss said, his voice light, performing calm the way he performed everything. "It's about surviving whoever owned it before you.""Is that a warning, Mr. Voss?"He didn't answer. He was looking past her, toward the front doors, and the fidgeting in his hands had stopped entirely. That stillness frightened her more than anything he might have said.The glass doors gave way without a knock. Three men came through in black raincoats, faces covered, water sheeting off their shoulders onto the marble. The one in front held a pistol low against his thigh, unhurried, the posture of a man who had done this before and expected no interruption. Sloane didn't need an introduction to understand who he was. Voss's whole body had already answered that question by going the color of old paper."the masked enforcer," Voss said, and the name came out as a plea disguised as a greeting. "We had an arrangement. I have the ledger. Offshore, encrypted, I can have it to you within the hour, you don't need to—""You had a ledger three weeks ago," the enforcer said. His voice was flat, almost bored, the voice of a man reading a grocery list. "Then you started skimming off the top of accounts that were never yours to touch.""A misunderstanding. I can fix this. I can give you access tonight, the account numbers, the routing—"Sloane was already moving, unhurried, the way she moved through crime scenes and forgeries alike, letting her body find the nearest cover before her mind finished deciding to run. The mahogany display case sat low and heavy near the back wall, built to anchor a marble bust that had been removed for cleaning. She dropped behind it and folded herself small, glasses pressed cold against her cheekbone, breath held so tight her ribs ached.Through the gap beneath the case she watched Voss's briefcase, open on the side table where he'd left it, papers fanned across the surface like a hand of cards. One page had slid free of the others, torn along one edge, dense with handwritten alphanumeric strings that meant nothing to anyone who hadn't spent a career learning to read the small lies embedded in provenance documents."Last chance," the enforcer said."Please," Voss said, and his voice cracked open on the word, all his cultivated calm gone. "Please, I can give you everything, I can give you the coordinates, I can—"The shot was quieter than Sloane expected. A cough of sound, a wet snap, and then Voss went down against the wet bar, glasses shattering around him, amber liquid spreading pink at the edges where it met the floor.Sloane didn't scream. Screaming was for people who hadn't already located the fastest way out of a room.Her hand moved before she gave it permission, fingers closing around the torn page on the table's edge, sliding it flat against her palm and then into the inside pocket of her jacket in one motion so smooth it felt like something her body had rehearsed without her.Boots on marble. The men fanning out, methodical, sweeping the gallery in a pattern that would reach her within the next thirty seconds. She had one option and she took it, reaching up along the side of the display case to the recessed panel she'd noticed on arrival, the one every professional gallery kept hidden and every conservator learned to find on instinct. She pressed the manual override.The fire suppression system answered with a hiss and then a roar, halon gas and water bursting from the ceiling in a white curtain that swallowed the room whole. Someone shouted. A second shot went wide, cracking into plaster somewhere above her head. Sloane was already moving, crouched low, using the blindness of the mist the same way she used magnification on a damaged canvas, finding the one true line through the noise.The rear loading dock door gave with a shove of her shoulder, and then she was outside, rain replacing the mist, cold enough to burn where it hit her skin. She didn't stop at the alley mouth. She didn't stop at the corner where the wet brick narrowed into a corridor of dumpsters and steam vents. She kept moving until the gallery's lit windows were three blocks behind her and the black shape of the Chicago Riverwalk opened up along the water, lamps haloed in fog, joggers and late tourists moving past her like she was just another shape in the rain.She slowed there, chest burning, hand pressed flat over the pocket where the torn page sat against her ribs like a second heartbeat. Behind her, faint through the wet air, she heard the low idle of an engine turning over, headlights sweeping the wet asphalt near the gallery's rear entrance. New men. A different sedan, or the same one relocated. She didn't turn to look long enough to be sure.Sloane pressed her palm over the page. It was still warm against her ribs, absurdly ordinary inside a night that had stopped being ordinary four minutes ago. She was a conservator, a woman who studied dead men’s lies and went home to a quiet apartment. She was also a witness now. Behind her, in the rain-lit dark of the gallery, someone was deciding what to do about that.
The Price of Air
The stairwell smelled of wet concrete and someone else's cooking, and Sloane climbed it two steps at a time, her jacket still dripping onto the treads behind her. Third floor. Her door, unremarkable among six identical doors, painted the same flat institutional green the building superintendent had chosen a decade ago and never revisited. She let h…

