
The Oath That Hunts
A lethal bond, a forbidden oath, and a love that could ignite the apocalypse.
by Tiffany Liddel
The Wesen underworld is built on fear, bloodline purity, and absolute obedience. Grimms enforce that law with merciless precision. Guardians were once their counterparts—until a betrayal so catastrophic it became a warning whispered to children. The punishment was annihilation. Every guardian was hunted, burned out of existence, and erased from history. So when Elara Quinn awakens as the last guardian, the world reacts like it is seeing a ghost that should have never survived. Her power is unstable, violent, and tied to the same ancient magic that once nearly destroyed the supernatural order. She is a living omen. A threat. A mistake. The Council sends Dorian Hale, the Grimm known for his cold brutality and unbreakable discipline, to eliminate her. He has never hesitated. He has never disobeyed. But when Dorian confronts Elara, something ancient snaps awake between them—an oath that was supposed to have died with her bloodline. It coils around them like a predator, binding their fates with a force that feels less like destiny and more like a curse with teeth. Their connection is not tender. It is dangerous, volatile, and deeply unwelcome. It threatens Dorian’s control, amplifies Elara’s unstable magic, and draws the attention of every faction that wants to break them. The world does not merely disapprove of their bond. It hunts it. Their love isn't forbidden. It’s lethal.
- Romance
- Fantasy
- Adventure
- Thriller
- Romantic Fantasy
- Dark Fantasy
The Ghost of Gable House
The sky over the town had turned the color of a fresh bruise, heavy with a rain that didn’t just fall, but seemed to lash out. From the window of the social worker’s rusted sedan, Elara watched the world blur into a gray, watery smear. Every mile felt like a subtraction, another piece of her life being rounded down to zero.
The car splashed to a halt in front of a Victorian house that looked like it was held together by gravity and spite. It was a sprawling, three-story skeleton of gables and rotting trim, its dark windows unkempt and infested with moss. Lightning flickered somewhere behind the clouds, painting the roof in a brief, skeletal flash.
“This is it,” the social worker said, not looking up from her clipboard. “Gable House. It’s a bit... historic. But the state says it’s a stable environment.”
Elara didn't reply. She grabbed her duffel bag—the zipper teeth missing in several places—and stepped out into the storm. By the time she reached the heavy oak front door, the storm had soaked through her cardigan, making the wool heavy and reminiscent of wet sheep. The air smelled of wet earth and something older, something that clung to the back of the throat like dust from a closed room.
The door was opened by a woman with a face like crumpled parchment and a uniform that might have been white forty years ago. She didn't offer a greeting, only stepped back to let the damp and the girl inside.
“I’m Elara,” she started, her voice sounding thin against the roar of the rain outside.
“I know who you are,” the maid snapped, wiping a stray drop of water from the floor with a rag she kept tucked in her apron. “Up the stairs, third door on the left. Don’t track mud on the runners. Stay in the foyer until I get your linens.”
The maid vanished into the gloom of a side corridor, leaving Elara alone.
The hallway smelled of floor wax and the ancient, weeping damp of a house that had long ago surrendered to the rain. Elara pulled her wet cardigan tight, the wool a coarse, borrowed second skin. It was utility over comfort—a uniform for a girl who felt like a decimal point in the wrong place. She didn't belong to the clothes, and she certainly didn't belong to this foyer, pressed against floral wallpaper that seemed to peel away from her touch like dead skin. Another home, another temporary coordinate.
She shifted her weight and looked around. The foyer was larger than it first appeared, a cavern of dark wood and tarnished mirrors that refused to give back a clean reflection. To the left of the staircase, half-hidden behind a sagging velvet curtain, she caught the outline of a door that didn’t quite match the others. Its frame sat slightly crooked, the wood grain swirling in patterns that made her eyes water if she stared too long. She looked away quickly. Foster houses always had their odd corners. Looking too hard never helped.
“Elara! Is that you?”
The voice was like a stone dropped into a stagnant pond. A very old woman stood at the top of the landing, a silhouette framed by the jaundiced glow of a flickering chandelier. Her eyes didn’t hold the usual wary, transactional squint of a foster parent; instead, they possessed the wild, devastating clarity of a mind coming undone. For a heartbeat, the look was arresting—true recognition—before the fog rolled back in and her gaze began to drift. Elara stood frozen, forcing a polite smile, feeling like she was meeting a ghost that had finally decided to give up haunting and start breathing again. Beneath her sneakers, the floorboards felt thin, as if the house itself were held together by a breath.
“Yes, ma’am.”
“Yes, come here, Elara,” Mrs. Gable murmured. She descended the stairs with a strange, gliding grace, her movements too smooth for ancient bones or squeaky wood. At the bottom step, she tilted her head, tracking Elara with the precision of a hawk. “The one who was supposed to stay dead. Why are you back? I don’t think you’re supposed to be here yet.”
Elara’s heart hammered a frantic, hollow rhythm against her ribs. She fisted her hands in her pockets. “I’m new here, Mrs. Gable. The agency sent me. I think you’re confused. Maybe you're thinking of—”
“I had a house,” Mrs. Gable interrupted, her tiny steps tracing an exhausted circle around the room. She reached out, her hand hovering inches from Elara’s shoulder, a static charge in the air between them. “And this house keeps secrets. Do you know how to keep a secret?”
Elara forced her breath into shallow, disciplined cycles. Years and years of strange foster homes had prepared her for moments like this. “The agency sent me. I have my placement letter in my bag. I can show you.” She gestured to her sad duffel still dripping water at her feet.
“This house keeps maps. Can you read a map?” The old woman moved in closer, ignoring her offer completely. Focused on something else entirely.
“I’m not sure what—”
Suddenly, Mrs. Gable snatched Elara’s hands, pulling them toward her face. She sniffed at Elara's fingertips, her expression tightening into something fierce. “Charcoal. You’ve been drawing. Drawing maps, haven't you? In your sleep, on the margins of your homework. Charcoal dust lingers, Elara. Remember that. The forbidden maps. The ones they burned with the rest of us.”
A cold spike of adrenaline shot through Elara’s chest. She had never shown those sketches to anyone. They were frantic, jagged renderings of impossible geometry—staircases that spiraled into clouds, hallways that turned into forests, rooms that unfolded like origami. She pulled her hands away, the skin where Mrs. Gable had touched her feeling unnaturally cold.
“I don’t know what you’re talking about,” Elara whispered. Her voice sounded small, a brittle defense against the woman’s unsettling gaze. Without waiting for a response, she retreated toward the front door, her movements sharp and jerky. Behind her, the old woman watched in silence, her milky eyes swirling in the dim, yellow light.
A heavy tread on the floorboards announced the maid’s return. She appeared at the end of the hall, a stack of stiff, white linens balanced in her arms like a peace offering. She glanced at the lace covered old woman then back at Elara, her expression flat and unimpressed.
“Here,” she said, thrusting the linens toward Elara. “Third door, like I said. Don’t mind Mrs. Gable, and listen to me—don’t go wandering. This house is full of drafty corners and floorboards that’ll trip you up if you aren’t careful. Stay in your room once the sun’s down.”
She paused as a flash of lightning illuminated the foyer, followed by a low, guttering groan from the pipes. The chandelier flickered, the yellow light dying down to a dull orange ember before snapping back to life.
“The rain makes the lights go out sometimes,” the maid continued, her voice dropping. “If it goes dark, stay put. Don’t go looking for candles. And as for her,” she jerked her chin toward Mrs. Gable, who was now staring at a spot on the wall with intense concentration, “pay her no mind. She gets… misplaced in her head when it pours. Just another part of the house that’s seen better days.”
Elara nodded mutely, her fingers sinking into the rough fabric of the sheets. She turned and made her way quickly to her assigned room, the weight of the linens a small, physical comfort against the growing cold. She could feel the maid’s eyes on her back the entire climb up the stairs. The power imbalance was simple and domestic, the kind that thrived in quiet hallways and clean runners. Matilda owned the rules of this place. Elara was just another temporary stain to be wiped away.
She found the third door on the left—a room that smelled of cedar and forgotten seasons. She shut the door, the click of the latch feeling like a flimsy barrier against the strangeness of the foyer. She didn't turn on the light. Instead, she sat on the edge of the narrow bed, her heart slowly decelerating from its frantic pace. Outside, rain hammered the glass in relentless sheets.
Eventually she opened her duffel and pulled free the sketchbook she kept wrapped in an old shirt. The pages were soft from use, edges stained gray. She flipped through recent drawings under the weak spill of streetlight that managed to pierce the storm. Staircases folding into themselves. Corridors that looped like intestines. One page near the back made her stop. The geometry was sharper than usual, a set of overlapping angles that formed a crooked door set slightly off-center from a larger wall. She had drawn it two nights ago in a half-sleep, charcoal grinding until her fingers ached. She hadn’t thought about it since.
Now the lines felt familiar in a different way. She closed her eyes and saw again the foyer curtain, the mismatched frame, the wood grain that swirled wrong. Her pulse climbed. She held the sketch up, comparing the memory to the paper. The proportions matched. The slight lean of the left edge matched. Even the suggestion of a hidden latch at waist height was the same.
Her latest sketch perfectly matched the hidden door she had noticed downstairs.
Elara sat very still. The walls of the bedroom seemed to lean closer, wood sighing as if the house itself were settling its weight to watch her. She pressed a hand against the plaster. It was warmer than it should have been, almost like living skin. For a second she imagined she could feel a slow pulse under her palm, breathing in time with her own frantic heartbeat.
She stood and paced the small room, sketchbook open in her hands. How could a drawing made half-asleep in another city match a door she had never seen until an hour ago? Social workers had always said the maps were symptoms. Unstable. Compulsive. Signs she needed medication and closer supervision. She had learned to hide them, to keep the charcoal dust under her nails and the impossible corridors inside the notebook. But Mrs. Gable had known. Had smelled the dust and spoken of forbidden maps as if the drawings were crimes with long histories.
Elara set the book down and rubbed her thumb against her index finger, feeling the invisible grit of her secret habit. A strange warmth bloomed low in her chest, sudden and foreign. It spread upward like a slow bruise turning from cold to heat. She looked down. For a heartbeat a flicker of violet light moved beneath the skin over her sternum, thin as a candle flame seen through water. It pulsed once, twice, then faded, leaving only the ordinary ache of a girl who had spent too many nights listening to storms.
She staggered back until her calves hit the bed frame. The violet light returned for a longer second, casting a soft, unnatural glow against the inside of her cardigan. Then it was gone again. No smoke. No burn. Just the memory of color that should not exist inside a human body.
Elara sat hard on the mattress. Rain continued its assault on the roof. Downstairs a floorboard creaked in a pattern that almost sounded like footsteps pacing the same circle Mrs. Gable had walked. The house felt alive. Listening. Waiting.
She thought of the days ahead—the school she would have to navigate, the social workers she would have to appease, the woman downstairs who looked at her and saw someone else, someone who was supposed to stay dead. This was supposed to be just another placement, another house to map and then leave behind. Yet the match between the charcoal lines and the foyer door sat in her mind like a key that had finally found its lock.
Elara lay back, staring up at the ceiling where the shadows of the storm danced in rhythmic, jagged patterns. The name Mrs. Gable had used earlier—the weight of recognition that had nothing to do with a foster file—settled over her like an extra blanket. She rubbed her fingers together again, searching for the grit that was always there. The warmth in her chest had cooled, but the memory of violet light refused to leave.
Sleep felt like a distant shore. As the rain continued its relentless attack, her eyelids grew heavy. She told herself the match was coincidence, that the old woman’s words were the raving of a mind coming undone, that the flicker of light had been a trick of exhaustion and cheap streetlight. Yet deep under the rational excuses something older stirred. Oakhaven was not just another placement. The house had opened its doors as if it had been waiting. The maps she drew in secret were not symptoms. They were instructions.
A trap designed to trigger a memory she didn’t know she possessed had already sprung.
She closed her eyes. The walls leaned a fraction closer. Somewhere below, a door that should not exist waited behind a velvet curtain, and the charcoal on her fingers itched like it wanted to draw the rest of the path. Outside, the storm kept lashing the windows. Inside, the house breathed with her, patient and hungry, settling in to watch her dream.
Elara pulled the thin blanket to her chin and tried to make her body small. She had been the mistake in every room she had ever entered. This time the room itself seemed to be rearranging around the shape of her arrival. She could still feel the cold imprint of Mrs. Gable’s grip on her wrists, still hear the soft accusation about charcoal and maps that were never supposed to exist again. The violet flicker in her chest returned once more, faint as a bruise under skin, then vanished. She did not know whether it was a beginning or a warning.
The grandfather clock downstairs marked the hours with heavy, irregular ticks. Each one sounded like a countdown she could not yet read. Elara kept her eyes shut and her breathing measured, the way she always did when a new house decided to reveal how strange it intended to be. She would map it. She would endure it. She would leave it. That had always been the plan.
But the sketchbook on the floor held a door that already lived downstairs, and the warmth that had bloomed under her ribs felt less like fever and more like something waking up after a very long sleep. Oakhaven had its claws in her now. The rain did not care. The house did not care. Somewhere in the dark, Mrs. Gable was still circling her exhausted thoughts, waiting for the girl who was supposed to stay dead to finally understand why she had been brought here.
Elara’s last clear thought before sleep claimed her was that the maps had never been empty after all. They had simply been waiting for the right walls to match them. And now those walls were watching her dream.
The Obsidian Blade
The chamber sat deep beneath the city’s polished surface, a vault of cold marble and sharper shadows where the air itself seemed unwilling to move without permission. Black stone pillars rose like the ribs of some buried beast, their surfaces veined with faint silver that caught the sparse light and threw it back in hard, unforgiving lines. At the …
